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Stripperland (2011)

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‘First they dance, then they kill!’

Stripperland – also known as Stripper Zombieland – is a 2011 comedy horror film directed by Sean Skelding from a screenplay by Brad McCray and Shawn Justice. It is a parody of Zombieland.

The film stars Ben Sheppard, Maren McGuire, Ileana Herrin, Jamison Challeen, Daniel Baldwin, Linnea Quigley, Boyd Banks,  Thom Bray, Lloyd Kaufman, Hank Cartwright and Brad McCray.

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Reviews:

“I’d like less time spent lazily rehashing scenes from Zombieland, especially since the original material is so much better than the direct spoofing. The message about treating sex workers like actual people should have been handled more subtly, woven less obtrusively into the fabric of the film. And at the same time, Skelding shouldn’t have shied away from having some of the zombies take their damn clothes off, since that tends to subliminally undermine his contention that there’s no shame in what strippers do for a living.” 1000 Misspent Hours and Counting

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“It does have some original things going on as well, as they end up battling a mad scientist and find themselves at a mall briefly (in a pretty cool nod to Dawn of the Dead), Overall there is enough here to make fans and non-fans of Zombieland both happy. There is plenty of over the top gore and violence here to keep gorehounds happy as well.” Todd Martin, HorrorNews.net

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Stripperland seems to try to diffuse comparisons to Zombieland with pointed asides to the original’s flaws, like the bizarre scarcity of Twinkies, but there’s no comparison beyond unflattering imitation. Stripperland is a meandering film that wanders slowly from one vignette to the next, many of them little more than a pause for a celebrity cameo.” William Bibbiani, Crave

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Buy: Amazon.com | Amazon.co.uk

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“I laughed many times throughout, sometimes at the film but other with it. It knows exactly what it is, but is a little bit desperate in getting there. It doesn’t have quite enough jokes or plot to fill the whole film so there are overly-long scenes and random dullness, but if you don’t go in expecting genius, you might have a good time.” Stuart Taylor, Shouting at Cows

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IMDb | Facebook | Related: Strippers vs. Werewolves | Zombie Strippers



Even Lambs Have Teeth (2015)

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‘Revenge can be a bitch’

Even Lambs Have Teeth is a 2015 American exploitation revenge horror thriller written and directed by Terry Miles. It was produced by Liz Levine and Adrian Salpeter of Random Bench.

The film, which has been likened to Hard Candy, debuted on October 1, 2015, at the 6th annual Mile High Horror Film Festival. It is released on DVD in the UK on 13 June 2016 by Matchbox Films.

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Main cast:

Kirsten Prout (My Super Psycho Sweet 16: Part 3; Joy Ride 3; Captured), Tiera Skovbye (Forever 16; SpooksvilleLiar, Liar, Vampire), Michael Karl Richards (Supernatural), Craig March (They NestDead of Night), Garrett Black, Jameson Parker, Christian Sloan (Blade: The Series; Black Christmas; The Twilight Saga: Breaking Dawn – Part 1).

Plot:

Two young women are terrorised by a group of small town psychos but then take their revenge…

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Reviews:

“With a lack of tension and low-feeling stakes, you’d think Even Lambs would be really, really dumb. It’s not. It’s clever without feeling like it’s trying too hard and it all just works … Even Lambs reaches a nice balance of human horror, dark comedy, and violent revenge flick. Usurping expectations while delivering a rowdy crowd-pleaser is a tough one. Even Lambs does it well.” Patrick Cooper, Bloody Disgusting

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Buy: Amazon.co.uk

“Katie and Sloane use their physical power to escape and then go on a Tarantino-esque style revenge killing spree on the corrupt individuals that inflicted sexual violence on the girls … Overall, the film was a fun watch full of gore, revenge and witty moments of comic relief.” Matthew Candelaria, Met Media

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“The deaths are all warranted, and surprisingly, creatively awful, but you don’t focus on the violence, as much as you focus on the glorious revenge for the two young women. It’s fun, even if it is murder, which is something that isn’t easy to do. You applaud the ladies for being creative. You cheer for them when they tease their victims.” Jason, Delve

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“Well made and well directed for the most part. Some of the acting is eh, but I could get past it. The real problem with this movie is that is it trying so hard to be a revenge exploitation film, but you hardly see any of the atrocities that call for revenge. And the revenge that does take place in the film has already been done before.” Hal Jarvis, Letterbxd

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IMDb | Twitter | TumblrRandom Bench

Coming Soon: new and future releases

 

 


Massacre Up North (2001)

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Massacre Up North is a 2001 Canadian slasher horror film starring, written, directed and by Paul Stoichevesk [as Paul Stoichevski].

The film also features Kieran Hart, Lorn Eisen, Labe Kagan, Allison Leigha Taylor, David Franklyn-Ratchford, Tony Sciara.

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Press release:

Shivers Entertainment is a brand spanking new Canadian-based film distribution company. From Victoria, British Columbia and developed by long time exploitation film fan Brenin Barrow, the first major release for Shivers Ent. is the truly disturbing Canuxploitation film Massacre Up North!

This shot-on-video slasher is one of the bloodiest titles to ever be produced in Canada. Full of gore, terror and nudity, Massacre Up North involves one man’s deadly trail of destruction, in small town Canada.

Shivers Entertainment will be re-launching this title, 15 years after its original release. This time, Shivers will release Massacre Up North with a very limited VHS copy; only 70 copies will be available.

As well, this will be the film’s first DVD launch and it will host a new, bloodier cover than the original.”

Release Date: May 24th 2016.

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Official synopsis:

“After a camping accident leaves him disfigured and tormented by classmates, Leslie Rejick only has one thing on his mind: It’s Time to Even The Score! With a hardware store chock-full of deadly tools at his disposal, he leaves behind a merciless path of death and destruction in a small Canadian town.

A pair of inept city detectives, determined to track down the killer, enlist the help of eccentric local coroner Patrick. But, Patrick holds a secret of his own, and he ultimately leads the detectives head-on into a bizarre, bloody battle with the psychotic killer…

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Buy: Amazon.com | Amazon.co.uk

IMDb | Shivers Entertainment


The Hackers (1987)

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‘A twisted mind is a terrible thing to waste.’

The Hackers is a 1987 American splatter horror film written [as J. Samuels] and directed John Duncan (Black River Monster).

The Camelot Studios production was released in 1988 and stars Howard Coburn, Dale Caughel, Steve Pricharo and Michelle Rank.

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Plot:

Marcie, a young woman, is offered the chance to stay a few weeks at a country estate while the family that own the place are on a trip away.

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Meanwhile, Pa Hacker and his two simpleton sons are on a killing spree in the local vicinity. When the Hackers arrive on the scene to do some repair work, a terrifying chain of events takes place with a shocking ending…

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Buy DVD from Camelot Studios

Reviews:

“Compared to other SOV efforts from this time, this has decent acting from the leads (some of the “victims” on the other hand… whew!), a minimum of flubbed lines, a high enough body count and enough cheap bloody moments to please fans of this stuff. There’s even a silly theme song (“Just slash ’em, bash ’em, trash ’em! Throw another corpse in the pile!”). A few of the scenes are half-baked and seem unfinished.” The Bloody Pit of Horror

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The Hackers is basically a poor man’s Mother’s Day. Think about that for a minute, let it marinate, are you really sure you want to watch a movie that wishes it was as good as… Charles Kaufman’s Mother’s Day? Yeah, I didn’t think so.” Hollie Horror, Letterboxd.com

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Buy: Amazon.com | Amazon.co.uk | Amazon.ca

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Cast and characters:

Howard Coburn – Pa Hacker
Dale Caughel – Arnie Hacker
Steve Prichard – Eldon Hacker
Michelle Rank – Marcie
David Duncan – Hitchhiker 1
Laura Forbis – Hitchhiker 2
Bruce Phillips – Gardner
Rick Robbins – Mr. Anderson
Mareena Henry – Mrs. Anderson
Jill Sutter – Bridge Girl
Larry Sieter – Fisherman
Ralph Dove – Bar Heckler
Bruce Parraghi – Store Manager
Dave Hall – Detective Hall
John Hurley – Policeman
Denise Ferris – Angelia
Ann Alexander – Bar Waitress
Chuck Mabe – 1st Hunter
John Duncan – 2nd Hunter

Filming locations:

Croswell and Lexington, Michigan, USA

IMDb | Camelot Studios website

 


Wrong Turn 3: Left for Dead (2009)

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‘What you don’t see will kill you’

Wrong Turn 3: Left for Dead is a 2009 American horror film directed by Declan O’Brien (Rock Monster; Sharktopus; Joy Ride 3: Roadkill) from a screenplay by Connor James Delaney. It is the third instalment in the Wrong Turn film series.

The film stars Janet Montgomery (The Hills Run Red; Dead Cert; Black Swan; Salem), Tom Frederic, Chucky Venn, Tamer Hassan and Louis Cliffe.

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Plot:

Alex (Janet Montgomery) and her friends Trey (Jack Gordon), Sophie (Louise Cliffe) and Brent (Charley Speed) go into the woods of West Virginia on a rafting trip. As they are camping, Alex’s friends are killed by Three Finger.

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Two days later, a group of prisoners are being transferred to a distant prison. While driving, their bus is rammed by Three Finger’s truck and crashes in the woods, forcing them to continue on foot…

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Buy: Amazon.com

Reviews:

“The saddest thing about it is that at its core is a potentially interesting story. Cops teaming up with criminals and regular folks against a common enemy – sound like Assault on Precinct 13 a bit? … Instead we get the umpteenth journey through the woods, without any of the class of the original or splatter-y fun of the sequel.” Bloody Disgusting

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“There is toplessness (of a hilariously gratuitous variety) within two minutes of the film’s opening, and a legion of gory deaths to follow – but there is also, alas, little here that we have not seen before … Yet amid all its man-traps, macho posturing and monetary moralising, this is an overfamiliar exercise in by-numbers filmmaking that always seems merely to be coasting on auto-pilot.” Anton Bitel, Eye for Film

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“While there’s some creativity in the methods of death, the filmmakers decide to overload their gags with CGI gore, a strategy that pisses me off as I see it used more frequently in low-budget horror films … If gore is where you hope to make your name, divert some cash into the practical props line item.” David Johnson, DVD Verdict

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Buy: Amazon.co.uk

“It features a cast of actors who have a lot of episodes of The Bill on their CVs and has what appears to be a public park in Belgrade standing in for America. It’s dark. Presumably they thought the audience would be too drunk to notice. Its really, really dreadful.” Max Renn Blog

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Cast and characters:

  • Tom Frederic as Nate Wilson
  • Janet Montgomery as Alex
  • Gil Kolirin as Floyd
  • Christian Contreras as William Juarez
  • Jake Curran as Crawford
  • Tom McKay as Brandon
  • Chucky Venn as Walter
  • Tamer Hassan as Carlos Chavez
  • Louise Cliffe as Sophie
  • Jack Gordon as Trey
  • Charley Speed as Brent
  • Borislav Petrov as Three Toes
  • Borislav Iliev as Three Finger
  • Mike Straub as Preslow
  • Bill Moody as Sheriff Calvin Carver
  • Emma Clifford as Deputy Ally Lane
  • Mac McDonald as Warden Ladew
  • Todd Jensen as U.S. Marshal
  • Vlado Mihailov as U.S. Marshal Davis

Filming locations:

Sofia, Bulgaria

Wikipedia | IMDb


Open House (1987)

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‘People are just dying to get in!’

Open House is a 1987 American horror film written and directed by Jag Mundhra (Hack-O-Lantern aka Halloween Night) from a screenplay co-written by David M. Evans. It was produced by Sandy Cobe (To All a Good Night; Home Sweet Home; Terror on Tour).

Main cast:

Joseph Bottoms (The Intruder WithinThe Sins of Dorian Gray; Blind Date), Adrienne Barbeau (The Fog; Swamp Thing; Creepshow), Mary Stavin (HouseHowling V: The Rebirth), Rudy Ramos, Robert Miano, Darwyn Swalve, Scott Thompson Baker (Rest in Pieces) and Tiffany Bolling (The Centerfold Girls; Kingdom of the Spiders).

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Plot:

A teenage girl who was molested by her father calls David Kelley (Joseph Bottoms), a radio psychologist working for KDRX, and shoots herself on the air.

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Later, a female real estate broker shows off a house to prospective buyers, and discovers the decomposing remains of another realtor in the washroom, the fourth victim of a psychopath dubbed the “Open House Killer”.

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Outside Grant Real Estate, which David’s girlfriend Lisa (Adrienne Barbeau) runs, someone digs through the trash, and takes discarded Seller Listings. A vagrant (Darwyn Swalve) goes to one of the listed houses, and murders the realtor and buyer inside with a plunger that has had razor blades attached to it. The Open House Killer (who gives his name as “Harry”) then calls David at KDRX, and opines that his victims deserved their fates…

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Reviews:

“Despite a few cheesy flourishes, Open House is a snoozer of the first order. Far too much time is spent on a feud between Grant and her odious nemesis (an admittedly spirited performance by Barry Hope, who just oozes sleaze) and the lengthy segments dedicated to the romance between Grant and Kelly that would have been better suited in a light romantic comedy.” JA Kerswell, Hysteria Lives

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“The scenes with psycho Darwyn Swalve dragging women about and chaining them up before killing them are unpleasant. Moreover, the scenes are dully directed, flatly photographed and fail to generate any suspense. The script also has a huge gap in plausibility…” Richard Scheib, Moria

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“The main problem with this film is that director Jag Mundhra seemingly didn’t know what the hell he was doing and/or didn’t bother sitting with his editor at any point. Not only is the movie sinfully boring, but there are at least three shots during separate kill scenes that go on for so long…” Brian W Collins, Horror Movie a Day

“After an interesting opening that sets up a potent contrast between have-alls who buy and sell Beverly Hills homes and the dog-food-eating killer, the film relies heavily on secondhand business like the phone-trace stunt from Black Christmas (1974) … Barbeau, slumming somewhat, gives better than is really required.” The Aurum Film Encyclopedia: Horror

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“It’s certainly an interesting premise, and given a bit more polish Open House could have become a bigger slasher in the genre. But an unclear killer motive and a disappointing killer reveal plague the film. It mimics the beautiful exterior of a house that’s been gutted on the inside, although some might see a fixer-upper.” Ryne Barber, HorrorNews.net

“Overlong and lacking in suspense, Open House is a pretty dull affair. Padded out with endless scenes of Bottoms talking to wacko callers on the radio and Playmate-calender-type agents showing houses, the film merely grinds its gears until the next bloody killing. The gore effects are poorly done and the camera lingers on the nasty goo far too long.” The Horror Film, CineBooks

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“This movie covers all the exploitation bases. The killer (a big guy wearing a duster) slices women up with razorblades on a stick. Barbeau has another topless scene, a woman goes for a nude swim before being decapitated, and there’s a dumb S&M comic scene. It’s one of those movies where characters keep acting as if nothing has happened even after several coworkers have been killed.” Michael J. Weldon, The Psychotronic Video Guide

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Buy: Amazon.comAmazon.co.uk

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Cast and characters:

  • Joseph Bottoms as Doctor David Kelley
  • Adrienne Barbeau as Lisa Grant
  • Mary Stavin as Katie Thatcher
  • Rudy Ramos as Rudy Estevez
  • Scott Thompson Baker as Joe Pearcy
  • Darwyn Swalve as Harry
  • Robert Miano as Detective Arnold Shapiro
  • Page Moseley as Toby
  • Johnny Haymer as Paul Bernal
  • Leonard Lightfoot as TJ
  • Barry Hope as Barney Resnick
  • Stacey Adams as Tracy
  • Roxanne Baird as Allison
  • Tiffany Bolling as Judy Roberts
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  • Cathryn Hartt as Melody
  • Christina Gallegos as Pilar Hernandez
  • Lee Moore as Donald Spectre
  • Stephen Nemeth as Tommy
  • Joanne Norman as Agent #1
  • Richard Parnes as Lenny
  • Sheila Ryan as Ellen
  • A. Gerald Singer as Captain Blake
  • Bryan Utman as Policeman
  • Susan Widem as Policewoman
  • Eddie Wong as Mr. Yoshida

Filming locations:

Los Angeles, California, USA

Choice dialogue:

Harry: “Listen to me, you smart ass. All these little uppity real estate bitches are just askin’ for it anyway. You got that? So what’s the problem, huh? They deserve it, huh?”

Release:

In the US, the film was released on VHS by Prism.

In 1987, the British Braveworld VHS release was censored 1m 18s by the BBFC.

Wikipedia | IMDb | Image credits: The Bloody Pit of Horror

Related: Don’t Answer the Phone! | The Vagrant


Red Christmas (2016)

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‘This Christmas the only thing under the tree is terror.’

Red Christmas is a 2016 Australian horror film written and directed by Craig Anderson.

The film stars Dee Wallace (The Howling; Cujo; The Lords of Salem) Sarah Bishop, Geoff Morrell (Rogue; Coffin Rock), David Collins, Sarah Bishop, Janis McGavin, Bjorn Stewart, Gerard Odwyer, Sam Campbell, Deelia Meriel, Robert Anderson and Anthony Jensen.

Red Christmas will receive its European premiere in London at the Horror Channel FrightFest on 29 August 2016.

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Plot:

Matriarch Diane (Dee Wallace) has invited her children to celebrate one last Christmas in their family home. Amid celebrations and domestic drama, they receive a visit from a mysterious stranger. Disfigured and cloaked, they feel sorry for him until they discover his extreme religious motives and anti-abortion message…

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Reviews:

“Dialogue seems to be Anderson’s main strength in Red Christmas, and he is at his best when satirising the horror genre as a whole. For example, taking running shots at mobile communication breakdowns as a stock standard contrivance in slasher flicks, and of course, having the characters make unnecessarily bold moves that end up being stupid mistakes.” Chris Singh, The Iris

IMDb | Official site | Facebook

Related: Ho! Ho! Horror! Festive Fright Films – article by David Flint


Cannibal Hookers (1987)

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‘Babes of the night, with a different appetite!’

Cannibal Hookers is a low-budget 1987 American erotic horror film written, co-produced and directed by Donald Farmer (Demon Queen; Red Lips; Shark Exorcist).

The film stars Amy Waddell, Annette Munro, Sheila Best [aka Tara the Southern Belle], Tommy Carrano, Richard Liberty (The Crazies; Day of the Dead), Matt Borlenghi, Drew Godderis (Evil Spawn), Sky Nicholas (Fatal Pulse), Katina Garner (Hack-O-Lantern), Marya Gant (A Polish vampire in Burbank) and Gary J. Levinson. Eric Caidin, owner of the Hollywood Book and Poster shop has a cameo role.

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Plot:

As a sorority initiation for Zama Gata Bata (“the sleaziest sorority on campus”), two female college students must to pose as prostitutes and each pick up a client and bring them back to the house. However, when the young women return they discover the sorority sisters are actually part of a cannibal cult…

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Reviews:

“Oy ve. Where shall I even begin describing this exercise in cheap gore, cheap T&A contributed by ladies who certainly look their parts and camcorder production values? Let’s just say I had more fun making the screen caps than I did actually watching the movie.” The Bloody Pit of Horror

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“Good and bad are sticky concepts when you’re down at the bottom of the cinematic heap, as we are here. What it is, is a bloke with no money and a bit of a sense of humour just making something happen.” Mark Longden, International Syndicate of Cult Film Critics

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“Farmer does Demon Queen again, but less dreamy, less weird, more broad and dumb and “market-friendly,” complete with desperately tasteless jokes and a hip soundtrack full of watery quasi-punk rock. Maybe a skosh better than the similar Night of the Living Babes (if only because Farmer does seem to want to take the horror elements seriously when they belatedly show up) but still wholly dismal and depressing.” Steve Carlson, Letterboxd.com

“The sound is terrible, one girl keeps looking at the camera, and the FX consist of blood and boobs.” Michael J. Weldon, The Psychotronic Video Guide

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Buy: Amazon.com | Amazon.co.uk

“The acting is atrocious, the premise is idiotic, the blood and gore effects are a joke, and the entire thing looks like it was filmed with someone’s uncle’s video camera that was ordinarily used to shoot home movies. It looks a lot like a really bad 80’s porno flick instead of a horror film and it is just painfully bad in general.” Todd Martin, HorrorNews.net

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Buy: Amazon.com | Amazon.co.uk

Trivia:

Footage from Curse of the Screaming Dead can be seen on a TV set.

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Release:

Originally issued in the US on VHS by Camp Video, it was released as an Eden Entertainment DVD on October 31, 2000 with the cover title I Will Dance on Your Grave: Cannibal Hookers.

Wikipedia | IMDb | Image credits: The Bloody Pit of Horror | International Syndicate of Cult Film Critics |  VHS Collector

 



Return to Sender: Human Sacrifice in History and Horror Films – article by Daz Lawrence

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The act of slaying one or more of your fellow human beings in a ritual, usually as a token to a God or spiritual ancestors, extends back to the first glimmers of the dawn of Man – the stranger fact is that it is still practiced today. Taking many forms and seen in a myriad of cultures, these ceremonies, though now far rarer than once they were, still hold a fascination for the creative arts, and human sacrifice is one of the go-to platforms for the construction of horror film and literature, from Greek myth to Hammer Films and H.P. Lovecraft to Children of the Corn.

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Human sacrifice almost always revolves around appeasing a supernatural denizen of a perceived afterlife – the greatest gift seen to offer an apparently vengeful deity being a living (soon to be dead) offering.  The earliest evidence of human sacrifice found thus far has been in the Sudan, where an excavated Neolithic site uncovered evidence of three apparently high-ranking individuals being killed in a ritualistic manner, surrounded by high value ceramics and two slaughtered dogs.

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Dating back 5,500 years, this was in the period that Man made the transition from hunter-gatherers to more ‘civilised’ farmers and cultivators. Elsewhere in Africa and seemingly having developed completely separately to this example, bodies have been unearthed in Southern Egypt, dating back to approximately 3000 B.C. which have identifiable marks of having their throats cut prior to decapitation.  Carved tablets from a similar period depict a kneeling person in front of another holding what resembles a sword, a bowl on the ground in front of the former, presumably to catch the spilled blood. A monarch or God in the image strongly indicates that this is a ritualistic killing as opposed to an execution for a crime. Egyptian discoveries feature two of the most common reasons given for killing a human – to appease a God or to ward off potentially disastrous natural events, and to give a deceased elder or leader suitable accompaniment to the afterlife, often buried alive with the less active corpse inside a pyramid or other sealed tomb.

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In Asia, similar examples of human sacrifice took place to pay tribute to dead slave owners and high ranking dignitaries – in China, slaves accompanied their masters to the afterlife in both small numbers and mass slayings of up to nearly 200 men, women and children. Across the border in Tibet, pre-Buddhism, the execution of innocent men and women, as well as instances of cannibalism, a practice which rather goes hand-in-hand with human sacrifice, were commonplace – even centuries later, there are a few examples of renegade sects killing people as part of secret tantric rituals.

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In India, the South Pacific, many parts of Africa and most famously, South America, sacrificial human offerings are well documented from ancient and not so ancient times. These range from the use of a sharp implement to cut the neck (or remove the head entirely), the resulting blood or body parts often drunk/eaten or used to make potions and body decoration; the impaling of the victim through whatever orifice was seen most suitable, thus allowing the offering to be on display to the relevant God as a totem; poisonings, flayings, live burials and even more inventive methods.

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Mayan and Incan sacrificial ceremonies are amongst the best-understood, largely due to the clear documentation left in the form of ornate daggers, beautiful illustrations, mass grave sites and almost impossibly preserved mummies. Particularly prevalent was the sacrifice of children, a recurring Aztec  ritual requiring the ‘tears of children’ to appease their rain God. South and Central American offerings were on scale significantly larger than many other cultures – confirmed examples have ranged from several hundred at a time to several thousand. An estimate from one historian suggests up to 250,000 Aztecs could have met their end in this way in just one year.

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In ancient Hawaii, ritual killings were largely centred on demonstrating military strength, the capture of an opposing tribal chief being cause for especially brutal torture, with the victim strapped upside down on a wooden rack and pulverised with blunt instruments to tenderise the flesh. The triumphant chief would rub his capture’s sweat upon his body and then gut the unfortunate enemy, naturally not wasting anything and partaking of their innards as a reward.

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Though the establishment of the major religions we now see around the world, these practices were either outlawed or were rejected by evolving societies. However, sacrifice of a human (and certainly animals) still occurs throughout the world, largely in secret ceremonies still dedicated to the pleasing of a deity. Killings are found in remote areas of India and Sub-Saharan Africa, as part of religious rites, witchcraft and for personal financial gain and well-being.

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Though rarer, the specific practice of Vodun or Vodou /Voodoo is rumoured to occasionally utilise human rather than animal offerings, even in the present day. Other cults, even in Western Europe, still offer sacrifice as part of ceremonies from self-proclaimed messiahs to devil worship – indeed, some  serial killers could well be said to do the same, although in a far more ‘lone-wolf’ scenario.

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Human sacrifice in Britain was certainly rumoured to have taken place in the Iron Age, though the tendency was for the offering of a slaughtered animal, usually a horse or dog in exchange for forgiveness or good fortune. Druidic rituals did, allegedly, see humans killed, though it is thought these were more often prisoners of war or criminals. Methods of dispatch have been well documented due to the discovery of several incredibly well-preserved corpses found in peat bogs throughout the 20th Century (a phenomenon also seen throughout Scandinavia).

The most famous British example has been dubbed Lindow Man (due to the location of the discovery) and his method of dispatch seen to consist of a mistletoe-spiked drink and several blows to the head, whilst in Denmark, a similarly well-preserved corpse, Tollund Man, displayed evidence of having been hanged, though it has not been able to ascertain whether this was sacrificial or pure punishment for a crime.

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Roman texts, penned by the likes of Julius Caesar, Tacitus and Pliny the Elder, reveal outright disgust at the practice of human sacrifice and cannibalism by the Celts. This, it has to be said, is a tad eyebrow-raising, given the Roman’s penchant for impromptu mass-murder and massacre for sport. However, much of this rhetoric has been disregarded as propaganda, an attempt by the Romans to portray the Celts as inhuman savages. Ironically, the most iconic image of human sacrifice in Britain around this time, the looming wicker man, was almost certainly an animal only offering, with no evidence found to suggest that humans were also encased within and set on fire.

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The disturbing and often perplexing history of human sacrifice has lent itself to all areas of art for centuries. The Mexicans and inhabitants of pre-Columbian America celebrated the act in wildly elaborate statuary and paintings. The ever-inventive Aztecs’ actions did rather lend themselves to artistic documentation – the removal of vital organs from living victims, starvation, immolation, drowning and cannibalism were all used to give thanks to one god or another. These have appeared rendered on ceramics and codices, whilst often ornate daggers reveal the planning and importance the sacrifices had in their societies.

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The Mayans could at least match these feats, sometimes even trumping them with absurd-sounding ceremonies involving live burial, the bow and arrow equivalent of a firing squad and, most intriguingly, the strange entwining of sacrifice and an Mesoamerican ballgame, in which losing teams would often find themselves beheaded, their skulls becoming ‘bats’ for future games.

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There is even pictorial evidence of people being bound up with twine until they resemble the large rubber-type balls usually used, the unfortunates batted and kicked around mercilessly until death or victory. As with the Aztecs, many vessels, paintings and carvings have been unearthed featuring these acts, as well, of course, as the sacred pyramids they were usually centred around, including the dedicated altars.

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Human Sacrifice in Horror Films

The Mummy (1932 and many times thereafter)

A reanimated Imhotep seeks to reanimate his long-dead lover by mummifying the unlucky Helen

The Mask of Fu Manchu (1932)

Boris Karloff, as the diabolical Fu, attempts to masquerade as a resurrected Genghis Khan in order to stir up an Asian uprising into conquering the West. Pre-code, so heady stuff.

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King Kong (1933/1977)

Poor old Fay is welcomed to Skull Island to meet their gigantic God for dinner.

The Black Cat (1934)

Satan. Rites. Damsel. Karloff. Lugosi.

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The Mole People (1956)

Subterraneran Sumerian crackpots sacrificing elders after mistaking daylight for a mystical oracle

The Devil’s Hand (1959)

Likeable Satanic cult shenanigans, headed by Neil Hamilton (Commissioner Gordon from the Batman TV series)

The City of the Dead (1960)

Atmospheric, if a little threadbare Christopher Lee vehicle

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She (1934/1965)

Immortal jungle queen demands an equally long-living companion by immolation in a mystical blue flame

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Blood Feast (1963)

Food catering meets Egyptian rites as Fuad Ramses dispatches local girls to please the God Ishtar.

Eye of the Devil (1966)

The title offers more than a nod in the direction this hugely atmospheric though undervalued film takes. Almost certainly the only film starring David Niven, Sharon Tate, Donald Pleasence and John Le Mesurier.

Brides of Blood (1968)

Mutations on a remote island require virginal sacrifices to a local monster.

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The Devil Rides Out (1968)

Dennis Wheatley, the go-to for Devil-satiating texts, is brought to film in one of Hammer’s greatest offerings. Those sacrificing are seen to be ‘normal’, respected members of society, as opposed to the popular view of dancing, mostly naked hippies.

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The Blood on Satan’s Claw (1970)

Standard English village fare – the resurrection of the cloven one through skin growing and sacrificial rituals.

The Shiver of the Vampires aka Le Frisson des Vampires (1971)

Jean Rollin’s dreamy look at sacrifice in a chateau.

 

Tombs of the Blind Dead (1971) and sequels…

Though the slowly shuffling zombies are the star of the show, their origins as blood-drinking, Satan worshipping Templar knights at the beginning of this three-film saga are shown in flashback

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Enter the Devil (1972)

A grimy entry into the 70’s obsession with Satanic cults

Blood Orgy of the She-Devils (1972)

Ted V. Mikel’s uber-schlocky blood-thirsty witches on the hunt for male blood to offer to the Devil.

The Mummy’s Revenge aka La Venganza de la Momia (1973)

Dazzling, if not entirely gripping entry into Paul Naschy’s attempt to play every famous horror monster

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The Wicker Man (1973)

Poor Sergeant Howie gets closer to some frightened goats than he’d like, all for the sake of some apples.

Craze (1974)

Psychotic London-based antique dealer Neal Mottram (Palance) sacrifices women to the statue of African god Chuku in the belief that it will help his ailing finances…

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Race With the Devil (1975)

This well-oiled set-up of the inadvertent observation of a human sacrifice leading to a cult in pursuit has rarely been matched.

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The Devil’s Men aka Land of the Minotaur (1976)

Tourists visiting a Greek archeological site are being abducted by a strange cult, intent on providing their God – the Minotaur – with a sacrifice!

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Mardi Gras Massacre (1978)

Part of the notorious ‘video nasty‘ list, this slaughter for Aztec Gods romp is still unavailable in the UK.

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Demonoid (1981)

300 years ago, a Mexican Satanic cult cuts of the hands of their victims to please the Devil. Years later a hand causes mischief.

Midnight aka The Backwoods Massacre (1982)

Backwoods ‘cops’ and their demented siblings sacrifice young women in a psychotic attempt to resurrect their mother’s decomposed corpse…

Q: The Winged Serpent (1982)

Larry Cohen’s hugely entertaining modern day tale of sacrifice in New York, seeing the follower of an Aztec cult sacrificing locals in a bid to appease a huge flying Quetzalcoatl living atop a skyscraper (ironically, a God whom the Aztecs didn’t actually deem as requiring human sacrifice, actually being gifted slain hummingbirds and butterflies)

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Halloween III: Season of the Witch (1982)

An ingenious plot sees now iconic masks lulling innocent wearers to their fate at the expense of Old Gods.

Children of the Corn (1984-2011)

Preposterously long-running franchise in which a town’s over-18’s are sacrificed to a cornfield-based deity

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Blood Cult (1985)

A local sheriff investigates a spate of sorority slayings that are found to be the work of a satanic cult. One of the earliest shot-on-video releases, it’s a self -sacrifice to sit through!

A Return to Salem’s Lot (1987)

Larry Cohen’s almost universally derided follow-up to the much (and, I would suggest, unjustly) revered Tobe Hopper mini-series see the town farming blood from a supply of non-vampiric folk.

Evil Altar (1988)

In the small town of Red Rock, a devil-worshipping cult led by Reed Weller (William Smith), is in league with the local sheriff (Robert Z’Dar). Weller’s servant is The Collector (Pepper Martin) who kidnaps boys and girls for sacrifice…

The Lair of the White Worm (1988)

Ken Russell’s slightly rude, slightly berserk and slightly entertaining snake god romp

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The Guardian (1990)

William Friedkin’s unfairly overlooked, if rather daft tree-worshipping drama with ancient druids needing blood to satiate their idols

Borderland (2007)

With a Mexican backdrop, a refreshing change to the norm with drug runners and cartels mixing with the more traditional religious cults

The Shrine (2010)

A remote Polish village harbours a terrible secret (it’s human sacrifice)

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Rites of Spring (2011)

A man known only as the Stranger kidnaps and sacrifices young women as part of a pagan death ritual…

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The Cabin in the Woods (2012)

One of the most divisive horror films of recent years offers up a novel depiction of sacrifice, which audiences either loved or hated

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House of the Witchdoctor (2013)

Surprisingly competent teens in peril horror.

House of Salem (2016)

When kidnapping goes wrong…

Sacrifice (2016)

An ancient pagan religion requires the sacrifice of young women in the Shetlands

Daz Lawrence, Horrorpedia.com

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Chupacabra: Dark Seas (2005)

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This legend is real.’

Chupacabra: Dark Seas – released on DVD as Chupacabra Terror – is a 2005 American horror film directed by John Shepphird (Jersey Shore Shark Attack) from a screenplay co-written with Steve Jankowski (who also plays Admiral Williams). The film is a Regent Entertainment production for the Syfy television channel.

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Main cast:

John Rhys-Davies (Beasts; Anacondas: Trail of Blood; The Half Dead), Giancarlo Esposito (Bones), Dylan Neal (Vampire Bats; LocustsIce Road Terror), Chelan Simmons (It; Monster Island; Snakehead Terror), Paula Shaw (The Centerfold Girls; Freddy vs. Jason; iZombie) and David Millbern (The Slumber Party Massacre;  Ice Spiders; The Nurse).

Screen Shot 2016-07-25 at 11.52.02Plot:

Dr. Peña (Esposito), a cryptozoologist, manages to capture El Chupacabra on a remote Caribbean island and smuggles it aboard the cruise ship Regent Queen, commanded by Captain Randolph (Rhys-Davies) with the assistance of his young daughter, and ship fitness instructor, Jenny (Simmons). The Regent Queen has been experiencing a rash of burglaries, and Federal Marshal Lance Thompson (Neal) is brought on board to investigate.

Unfortunately, crew members sneak into the cargo hold on their break; their curiosity getting the better of them, they accidentally unlock the contained holding the creature. It kills them and escapes into the ship…

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Reviews:

“First, it was actually paced pretty well. I watch a lot of bad movies where I can’t wait for the credits to roll, but despite its subject matter and dialogue, I remained relatively interested in the film. Maybe it’s just because I think cryptozoology and cryptids in general are pretty cool, but seeing someone talk about it somewhat intelligently, despite being in a film called Chupacabra Terror, was surprising.” The Wolfman Cometh

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“Where drive-in horror movies of the 1950s were either moderately creepy or sublimely ridiculous, this schlocker misses out by relying on cheap thrills and parodistic laughs … The gore may satisfy die-hard monster mashers, but the cheesy-looking creature isn’t fit to touch the gills of the Creature from the Black Lagoon.” Robert Pardi, TV Guide

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Cast and characters:

Boa Vs. Python : Chupacabra Terror : Frankenfish : Lake Placid

Buy: Amazon.com

Filming locations:

The Turks and Caicos Islands

Release:

In the US, the film was released on DVD by Sony Pictures Home Entertainment on May 3, 2005.

Wikipedia | IMDb | Image thanks: The Wolfman Cometh


Murder University (2012)

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‘The tuition isn’t all that will kill you.’

Murder University is a 2012 American horror film directed by Richard Griffin (Flesh for the Inferno; Dr. Frankenstein’s Wax Museum of the Hungry DeadThe Disco Exorcist) from a screenplay by Lenny Schwartz (Scary Little Fuckers; Normal).

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Main cast:

Jamie Dufalt, Michael Thurber, Samantha Acampora, Rich Tretheway, Juicy K. Thunder, David Adams Murphy, Dave Almeida.

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Plot:

1983: A series of brutal, cult-like murders are taking place at a New England college.

Josh Greene, a shy freshman, is the lone survivor of a series of murders that are reminiscent of a similar string of killings some twenty years prior. As he seeks to uncover the secret behind the attacks, he is joined by Detective Forrester, who was instrumental in halting the bloodshed before, and his daughter Meg, who had barely escaped being a victim previously…

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Reviews:

“Griffin and screenwriter Lenny Schwartz have a real gift for comedy and the cast deliver every line with a perfect deadpan, loved it. The music s great, a burping 80’s synth score with shrieking stingers and droning atmosphere. There’s also a cool 50’s flashback scene featuring a trio performing a ditty about the pinko commie threat, sweet, followed by some sex, gore and humor in short order.” McBastard’s Mausoleum

“The filmmakers have obviously watched many, many genre films and have set out to make a worthy and respectful tribute to a classic style that is rarely seen these days. The wanton nudity and over the top gore are strangely, refreshingly comedic at a time when more polished, sterilised films are prevalent from the studio system … Murder University is a typical example of a good idea that just hasn’t either been thought through well enough, or not conveyed adequately to the screen.” John Townsend, HorrorNews.net

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“Throughout, the acting is better than average. This isn’t a genuine slasher movie containing nothing but gruesome murders. Sure, you have that but there is also a good story with plenty of humour, jokes and music, terrible as the latter may be. The characters are also three-dimensional with even the bad guys coming across as real people. This is because the script is reasonable and the actors are not cardboard cut-outs.” Rod MacDonald, SF Crowsnest

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Murder University would be a good slasher/giallo tribute if it stuck to BEING a slasher/giallo tribute. It has a good slasher storyline, likable characters, passable effects, a bit of good comedy, and plenty of sex, blood, and nudity. However, the tangents the script takes into weirder, more out-of-place comedy cause a wildly inconsistent tone and actually overshadow the few moments where the jokes work!” Mike, Horrorfreak News

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Filming locations:

Pawtucket, Rhode Island, USA

IMDb | Image credits: Horrorfreak News | HorrorNews.net

Related: Final Exam | Graduation DaySplatter University

 


Lurking Fear (1994)

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‘Infinite evil’

Lurking Fear – aka H.P. Lovecraft’s Lurking Fear – is a 1994 American supernatural horror film, loosely based on the H. P. Lovecraft short story “The Lurking Fear”. It was produced by Charles Band’s Full Moon Entertainment and written and directed by C. Courtney Joyner (Puppet Master vs Demonic Toys; Prison); From a Whisper to a Scream).

Main cast:

Blake Bailey (The Killer Eye), Ashley Laurence (Hellraiser and sequels), Jon Finch (Frenzy; The Vampire Lovers), Jeffrey Combs (Would You Rather; Re-Animator), Allison Mackie, Paul Mantee (The Manitou; Day of the Animals), Vincent Schiavelli (Bone Chillers; Comedy of Horrors), Joseph Leavengood (Basket Case 2), Cristina Stoica, Luana Stoica, Adrian Pintea, Ilinca Goia, Michael Todd.

Latest release:

On 24 October 2016, the film is issued on Blu-ray by 88 Films in the UK.

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Buy: Amazon.co.uk

Plot:

Ex-con John Martense (Blake Adams) returns to his childhood home of Lefferts Corner after serving time for a crime he didn’t commit. Martense visits family friend Knaggs (Vincent Schiavelli), a mortician who has been holding half of a map for him. The map leads to a graveyard where Martense’s father hid the money from his last heist.

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Arriving at an abandoned church, Martense is confronted by Cathryn (Ashley Laurence), a young woman seeking revenge for the murder of her sister, and town doctor Dr. Haggis (Jeffrey Combs).

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This group is quickly joined by a trio of criminals who are looking to find the money John’s father stole from them. What everyone is not aware of are the humanoid creatures lurking underneath the holy grounds…

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Reviews:

“As with many Full Moon films, Lurking Fear‘s trailer is better than the feature it promotes. That’s unfortunate because Joyner had a wonderful professional cast who, with a cleaned-up script and a hands-on producer, could have made the film a standout among [Lovecraft] adaptations.” Andrew Migliore and John Strysik, Lurker in the Lobby: A Guide to the Cinema of H. P. Lovecraft

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Buy: Amazon.co.uk | Amazon.com

“… zippy little gem … The Morlock-looking creatures are nicely designed by Wayne Toth [House of 1000 Corpses; Wishmaster] and are a suitably nasty bunch, dragging any poor sod they can down into their subterranean abattoir. The product of years of inbreeding, they’re perhaps a fitting metaphor for just how incestuous the Full Moon production line once was.” Matty Budrewicz, UK Horror Scene

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“With such a talented cast, a cool concept, and a fresh young director coming off a popular Trancers sequel, there’s no reason the final product should have been this lousy. I applaud Joyner’s effort to mix the horror, action, and crime film genres, but it just didn’t work. The end result is a somewhat boring creature feature, that apparently ruined C. Courtney Joyner’s taste for filmmaking.” The B-Movie Film Vault

Lurking Fear is pretty spot on and cohesive. The action choreography and stuntwork is top notch. The acting is way better than I expected and I’m impartial to strong female characters. The gore, my favorite aspect of the movie, was amazing and performed through the use of practical effects and that really brought me back to a better time.” Horror Society

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“It’s no masterpiece, but it’s a nicely done flick made by people who clearly strove to produce a good movie. The acting is uniformly good and nicely naturalistic, the characters tend not to do stupid stuff just to advance the plot, the settings are, again, quite fetching, the film is fairly brutal in terms of killing likable characters, and the script is actually *gasp* fairly well thought out, with one event actually leading logically to the next.” Ken Begg, Jabootu’s Bad Movie Dimension

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Buy: Amazon.com | Amazon.co.uk

“There’s an equally impressive cast here, with Combs at his hammy best as the sozzled quack, Finch genuinely menacing as a Cockney gangster and Laurence convincing as a Lara Croft type Amazon. Unfortunately the script doesn’t give them anything more than generic dialogue, and that adjective sums up the film as a whole. While the creatures have an interesting design, though wisely kept hidden for most of the running time, they’re not utilised in any particularly interesting manner.” Eric Hillis, The Movie Waffler

Lurking Fear is loaded with graphic violence, monsters and gore, so fans of this fare will not be disappointed. And the cast is good…” John Stanley, Creature Features

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Buy: Amazon.co.uk | Amazon.com | Amazon.ca

“The gore is generally weak, but I must credit the effects team and director for making so many attempts to please the Fangoria fans out there. There are a lot of dead body, corpse and skeleton scenes in which these props are used for more than just background. They come with a few laughs. The creature make-up is similarly ho-hum. But they embrace it. They don’t make you wait until the last 20 minutes of the movie to see it.” John Leavengood, Movies, Films and Flix

“The actors all seem game enough, but the characters are generally one-note … but as the story winds on, the people seem to have little function but to mark time when the creatures aren’t on screen. The monsters themselves are fairly well-executed but unmemorable…” TV Guide

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Filming locations:

Buftea Studios, Bucharest, Romania

Wikipedia | IMDb | Image credits: The B-Movie Film Vault | The Movie Waffler


Even Lambs Have Teeth (2015)

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‘Revenge can be a bitch’

Even Lambs Have Teeth is a 2015 American exploitation revenge horror thriller written and directed by Terry Miles. It was produced by Liz Levine and Adrian Salpeter of Random Bench.

The film, which has been likened to Hard Candy, debuted on October 1, 2015, at the 6th annual Mile High Horror Film Festival. It is released on DVD in the UK on 13 June 2016 by Matchbox Films.

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Main cast:

Kirsten Prout (My Super Psycho Sweet 16: Part 3; Joy Ride 3; Captured), Tiera Skovbye (Forever 16; SpooksvilleLiar, Liar, Vampire), Michael Karl Richards (Supernatural), Craig March (They NestDead of Night), Garrett Black, Jameson Parker, Christian Sloan (Blade: The Series; Black Christmas; The Twilight Saga: Breaking Dawn – Part 1).

Plot:

Two young women are terrorised by a group of small town psychos but then take their revenge…

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Reviews:

“With a lack of tension and low-feeling stakes, you’d think Even Lambs would be really, really dumb. It’s not. It’s clever without feeling like it’s trying too hard and it all just works … Even Lambs reaches a nice balance of human horror, dark comedy, and violent revenge flick. Usurping expectations while delivering a rowdy crowd-pleaser is a tough one. Even Lambs does it well.” Patrick Cooper, Bloody Disgusting

Even-Lambs-Have-Teeth-Matchbox-Films-DVD

Buy: Amazon.co.uk

“Katie and Sloane use their physical power to escape and then go on a Tarantino-esque style revenge killing spree on the corrupt individuals that inflicted sexual violence on the girls … Overall, the film was a fun watch full of gore, revenge and witty moments of comic relief.” Matthew Candelaria, Met Media

” … what exactly is the point of a rape-revenge movie that neither shows the rape nor the revenge? Skirting over those elements leaves the viewer asking why they even bothered making the damn thing, and just who they made it for. Yes, of course rape is an unpleasant subject matter, so it’s entirely understandable that some filmmakers and actors might feel uncomfortable taking it on. But if a cast and crew are not willing to push both their audience and themselves beyond their comfort zone, then they really have no business trying to make exploitation.” Ben Bussey, Brutal as Hell

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“The deaths are all warranted, and surprisingly, creatively awful, but you don’t focus on the violence, as much as you focus on the glorious revenge for the two young women. It’s fun, even if it is murder, which is something that isn’t easy to do. You applaud the ladies for being creative. You cheer for them when they tease their victims.” Jason, Delve

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“Well made and well directed for the most part. Some of the acting is eh, but I could get past it. The real problem with this movie is that is it trying so hard to be a revenge exploitation film, but you hardly see any of the atrocities that call for revenge. And the revenge that does take place in the film has already been done before.” Hal Jarvis, Letterbxd

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Coming Soon: new and future releases

 

 


Inkubus (2011)

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‘We must all face our demons’

Inkubus is a 2011 American supernatural horror film directed by Glenn Ciano from a screenplay co-written with Carl Dupré (Hellraiser: Hellseeker), based on the latter’s story. It was produced by Chad A. Verdi for the Woodhaven Production Company.

Main cast:

Robert Englund, William Forsythe (Dear Mr. Gacy; Halloween; The Devil’s Rejects), Joey Fatone (Army of the Damned; Jersey Shore Shark Attack), Jonathan Silverman, Mike Cerrone, Tom Denucci, and Michelle Ray Smith.

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Plot:

A skeleton crew working the final shift at a soon-to-be demolished police station in Woodhaven, Rhode Island. The night takes a gruesome turn when the demon, Inkubus (Robert Englund), calmly walks into the station holding the severed head of a murdered girl.

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Inkubus toys with the crew, allowing himself to be restrained, and begins to proudly confess to his litany of crimes, some dating back to the Middle Ages. Inkubus has a score to settle with the one detective (William Forsythe) that almost put him away some thirteen years ago...

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Buy: Amazon.com

Reviews:

” … the film easily could have played out as a typical slasher, but it diverts from the stalk-and-slash formula. Instead, Inkubus takes a more interesting approach, in which the killer plays mind games with his victims, psychologically toying with them before they meet their demise. The digital effects are cheesy as expected, but there are some good practical effects by Rob Fitz to make up for it.” Alex DiVincenzo, HorrorNews.net

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“Is Inkubus a perfect horror film? No, but it is certainly entertaining. The combination of Englund and Forsythe with the excellently utilized supporting cast make for a complete ensemble. Although the story is a bit muddy in parts, it comes together well by the film’s completion and has created a great anti-hero with the demon Inkubus. Almost certainly better than most mainstream horror released recently…” Scott Hallam, Dread Central

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“Though short, Inkubus still drags through its confusing tale and left this viewer more bended than the, as already stated, overuse of one of Inkubus’s Houdini tricks. With all of the hocus-pocus and special effects, the key point of the story – the idea that Inkubus has been around since the beginning of time – and is responsible for the downfall of man – is lost. Despite the structural downfalls, the films’ effects (be them abused) and overall quality are actually very nice.” Bloody Disgusting

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Buy: Amazon.co.uk

“It kicks off with an opening seemingly inspired by 80s’ body horror sci-fi and continues the craziness throughout. All involved try to keep a straight face, but that just makes it seem worse, although there are some genuinely good ideas behind the shoddy execution. The kill sequences and gore gags are fun if predictable and the pace quick enough that it’s never a chore to watch.” Joel Harley, Horror Talk

Interview:

Glenn Ciano talks to Scott Hallam for Dread Central

Cast and characters:

Filming locations: 

Cranston, Rhode Island

Wikipedia | IMDb


Cannibal Hookers (1987)

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‘Babes of the night, with a different appetite!’

Cannibal Hookers is a low-budget 1987 American erotic horror film written, co-produced and directed by Donald Farmer (Demon Queen; Red Lips; Shark Exorcist).

The film stars Amy Waddell, Annette Munro, Sheila Best [aka Tara the Southern Belle], Tommy Carrano, Richard Liberty (The Crazies; Day of the Dead), Matt Borlenghi, Drew Godderis (Evil Spawn), Sky Nicholas (Fatal Pulse), Katina Garner (Hack-O-Lantern), Marya Gant (A Polish vampire in Burbank) and Gary J. Levinson. Eric Caidin, owner of the Hollywood Book and Poster shop has a cameo role.

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Plot:

As a sorority initiation for Zama Gata Bata (“the sleaziest sorority on campus”), two female college students must to pose as prostitutes and each pick up a client and bring them back to the house. However, when the young women return they discover the sorority sisters are actually part of a cannibal cult…

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Reviews:

“Oy ve. Where shall I even begin describing this exercise in cheap gore, cheap T&A contributed by ladies who certainly look their parts and camcorder production values? Let’s just say I had more fun making the screen caps than I did actually watching the movie.” The Bloody Pit of Horror

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“Good and bad are sticky concepts when you’re down at the bottom of the cinematic heap, as we are here. What it is, is a bloke with no money and a bit of a sense of humour just making something happen.” Mark Longden, International Syndicate of Cult Film Critics

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“Farmer does Demon Queen again, but less dreamy, less weird, more broad and dumb and “market-friendly,” complete with desperately tasteless jokes and a hip soundtrack full of watery quasi-punk rock. Maybe a skosh better than the similar Night of the Living Babes (if only because Farmer does seem to want to take the horror elements seriously when they belatedly show up) but still wholly dismal and depressing.” Steve Carlson, Letterboxd.com

“The sound is terrible, one girl keeps looking at the camera, and the FX consist of blood and boobs.” Michael J. Weldon, The Psychotronic Video Guide

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Buy: Amazon.com | Amazon.co.uk

“The acting is atrocious, the premise is idiotic, the blood and gore effects are a joke, and the entire thing looks like it was filmed with someone’s uncle’s video camera that was ordinarily used to shoot home movies. It looks a lot like a really bad 80’s p*rno flick instead of a horror film and it is just painfully bad in general.” Todd Martin, HorrorNews.net

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Buy: Amazon.com | Amazon.co.uk

Trivia:

Footage from Curse of the Screaming Dead can be seen on a TV set.

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Release:

Originally issued in the US on VHS by Camp Video, it was released as an Eden Entertainment DVD on October 31, 2000 with the cover title I Will Dance on Your Grave: Cannibal Hookers.

Wikipedia | IMDb | Image credits: The Bloody Pit of Horror | International Syndicate of Cult Film Critics |  VHS Collector

 



Honeymoon aka Luna de miel (2015)

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‘What are you willing to do for love?’

Honeymoon – original title: Luna de miel – is a 2015 Mexican horror thriller directed by Diego Cohen (México Bárbaro II; Romina; Perdidos) from a screenplay by Marco Tarditi Ortega (Dame tus ojos).

Jorge, an eccentric and lonely medical doctor, kidnaps Isabel, his attractive young neighbour, in an apparent effort to submit her to a classical conditioning experiment to make her his woman. However, appearances often hide a more terrifying truth…

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Main cast:

Hector Kotsifakis, Alberto Agnesi, Paulina Ahmed, Dunia Alexandra.

Reviews:

“It is gory, and so will both gain and lose audiences because of this, and there are some inevitable tropes, but it does them pretty well all the same, certainly better than most, although it did sorely lack any proper character development or background story, and therefore ultimately any real depth, which potentially could have lifted it beyond its own constraints and above most all others of this genre.” Ionizing

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Honeymoon ends on an epilogue of sorts that doesn’t quite come off, and won’t occupy your brain as long as anything from the previous 90 minutes. It’s a minor misstep however, and not one that can detract from the originality, beauty and stark realism that this incredibly taught and involving gem so expertly builds.” Kevan Farrow, Scream magazine

“An unoriginal story doesn’t stop this film from being a worthwhile watch, Honeymoon has intensity in places which prove rewarding.” Nymus

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Buy: Amazon.co.uk

“There are some quite strong scenes that might unease some people, specially those that are not into gore, the effects are very well done, and they actually made me cringe a couple of times. While there are some nude scenes that I think could have been avoided, they worked well in the story, and didn’t feel forced.” Zed Kosnar, Desde Abajo

This Grotesque film production should not be confused with the 2014 American movie Honeymoon, directed by Leigh Janiak.

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Filming locations:

Mexico City, Distrito Federal, Mexico

IMDb


Human Sacrifice in History and Horror Films – article by Daz Lawrence

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The act of slaying one or more of your fellow human beings in a ritual, usually as a token to a God or spiritual ancestors, extends back to the first glimmers of the dawn of Man – the stranger fact is that it is still practiced today.

Taking many forms and seen in a myriad of cultures, these ceremonies, though now far rarer than once they were, still hold a fascination for the creative arts, and human sacrifice is one of the go-to platforms for the construction of horror film and literature, from Greek myth to Hammer Films and H.P. Lovecraft to Children of the Corn.

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Human sacrifice almost always revolves around appeasing a supernatural denizen of a perceived afterlife – the greatest gift seen to offer an apparently vengeful deity being a living (soon to be dead) offering.  The earliest evidence of human sacrifice found thus far has been in the Sudan, where an excavated Neolithic site uncovered evidence of three apparently high-ranking individuals being killed in a ritualistic manner, surrounded by high value ceramics and two slaughtered dogs.

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Dating back 5,500 years, this was in the period that Man made the transition from hunter-gatherers to more ‘civilised’ farmers and cultivators. Elsewhere in Africa and seemingly having developed completely separately to this example, bodies have been unearthed in Southern Egypt, dating back to approximately 3000 B.C. which have identifiable marks of having their throats cut prior to decapitation.  Carved tablets from a similar period depict a kneeling person in front of another holding what resembles a sword, a bowl on the ground in front of the former, presumably to catch the spilled blood. A monarch or God in the image strongly indicates that this is a ritualistic killing as opposed to an execution for a crime. Egyptian discoveries feature two of the most common reasons given for killing a human – to appease a God or to ward off potentially disastrous natural events, and to give a deceased elder or leader suitable accompaniment to the afterlife, often buried alive with the less active corpse inside a pyramid or other sealed tomb.

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In Asia, similar examples of human sacrifice took place to pay tribute to dead slave owners and high ranking dignitaries – in China, slaves accompanied their masters to the afterlife in both small numbers and mass slayings of up to nearly 200 men, women and children. Across the border in Tibet, pre-Buddhism, the execution of innocent men and women, as well as instances of cannibalism, a practice which rather goes hand-in-hand with human sacrifice, were commonplace – even centuries later, there are a few examples of renegade sects killing people as part of secret tantric rituals.

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In India, the South Pacific, many parts of Africa and most famously, South America, sacrificial human offerings are well documented from ancient and not so ancient times. These range from the use of a sharp implement to cut the neck (or remove the head entirely), the resulting blood or body parts often drunk/eaten or used to make potions and body decoration; the impaling of the victim through whatever orifice was seen most suitable, thus allowing the offering to be on display to the relevant God as a totem; poisonings, flayings, live burials and even more inventive methods.

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Mayan and Incan sacrificial ceremonies are amongst the best-understood, largely due to the clear documentation left in the form of ornate daggers, beautiful illustrations, mass grave sites and almost impossibly preserved mummies. Particularly prevalent was the sacrifice of children, a recurring Aztec  ritual requiring the ‘tears of children’ to appease their rain God. South and Central American offerings were on scale significantly larger than many other cultures – confirmed examples have ranged from several hundred at a time to several thousand. An estimate from one historian suggests up to 250,000 Aztecs could have met their end in this way in just one year.

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In ancient Hawaii, ritual killings were largely centred on demonstrating military strength, the capture of an opposing tribal chief being cause for especially brutal torture, with the victim strapped upside down on a wooden rack and pulverised with blunt instruments to tenderise the flesh. The triumphant chief would rub his capture’s sweat upon his body and then gut the unfortunate enemy, naturally not wasting anything and partaking of their innards as a reward.

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Though the establishment of the major religions we now see around the world, these practices were either outlawed or were rejected by evolving societies. However, sacrifice of a human (and certainly animals) still occurs throughout the world, largely in secret ceremonies still dedicated to the pleasing of a deity. Killings are found in remote areas of India and Sub-Saharan Africa, as part of religious rites, witchcraft and for personal financial gain and well-being.

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Though rarer, the specific practice of Vodun or Vodou /Voodoo is rumoured to occasionally utilise human rather than animal offerings, even in the present day. Other cults, even in Western Europe, still offer sacrifice as part of ceremonies from self-proclaimed messiahs to devil worship – indeed, some  serial killers could well be said to do the same, although in a far more ‘lone-wolf’ scenario.

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Human sacrifice in Britain was certainly rumoured to have taken place in the Iron Age, though the tendency was for the offering of a slaughtered animal, usually a horse or dog in exchange for forgiveness or good fortune. Druidic rituals did, allegedly, see humans killed, though it is thought these were more often prisoners of war or criminals. Methods of dispatch have been well documented due to the discovery of several incredibly well-preserved corpses found in peat bogs throughout the 20th Century (a phenomenon also seen throughout Scandinavia).

The most famous British example has been dubbed Lindow Man (due to the location of the discovery) and his method of dispatch seen to consist of a mistletoe-spiked drink and several blows to the head, whilst in Denmark, a similarly well-preserved corpse, Tollund Man, displayed evidence of having been hanged, though it has not been able to ascertain whether this was sacrificial or pure punishment for a crime.

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Roman texts, penned by the likes of Julius Caesar, Tacitus and Pliny the Elder, reveal outright disgust at the practice of human sacrifice and cannibalism by the Celts. This, it has to be said, is a tad eyebrow-raising, given the Roman’s penchant for impromptu mass-murder and massacre for sport. However, much of this rhetoric has been disregarded as propaganda, an attempt by the Romans to portray the Celts as inhuman savages. Ironically, the most iconic image of human sacrifice in Britain around this time, the looming wicker man, was almost certainly an animal only offering, with no evidence found to suggest that humans were also encased within and set on fire.

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The disturbing and often perplexing history of human sacrifice has lent itself to all areas of art for centuries. The Mexicans and inhabitants of pre-Columbian America celebrated the act in wildly elaborate statuary and paintings. The ever-inventive Aztecs’ actions did rather lend themselves to artistic documentation – the removal of vital organs from living victims, starvation, immolation, drowning and cannibalism were all used to give thanks to one god or another. These have appeared rendered on ceramics and codices, whilst often ornate daggers reveal the planning and importance the sacrifices had in their societies.

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The Mayans could at least match these feats, sometimes even trumping them with absurd-sounding ceremonies involving live burial, the bow and arrow equivalent of a firing squad and, most intriguingly, the strange entwining of sacrifice and an Mesoamerican ballgame, in which losing teams would often find themselves beheaded, their skulls becoming ‘bats’ for future games.

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There is even pictorial evidence of people being bound up with twine until they resemble the large rubber-type balls usually used, the unfortunates batted and kicked around mercilessly until death or victory. As with the Aztecs, many vessels, paintings and carvings have been unearthed featuring these acts, as well, of course, as the sacred pyramids they were usually centred around, including the dedicated altars.

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Human Sacrifice in Horror Films

The Mummy (1932 and many times thereafter)

A reanimated Imhotep seeks to reanimate his long-dead lover by mummifying the unlucky Helen

The Mask of Fu Manchu (1932)

Boris Karloff, as the diabolical Fu, attempts to masquerade as a resurrected Genghis Khan in order to stir up an Asian uprising into conquering the West. Pre-code, so heady stuff.

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King Kong (1933/1977)

Poor old Fay is welcomed to Skull Island to meet their gigantic God for dinner.

The Black Cat (1934)

Satan. Rites. Damsel. Karloff. Lugosi.

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The Mole People (1956)

Subterraneran Sumerian crackpots sacrificing elders after mistaking daylight for a mystical oracle

The Devil’s Hand (1959)

Likeable Satanic cult shenanigans, headed by Neil Hamilton (Commissioner Gordon from the Batman TV series)

The City of the Dead (1960)

Atmospheric, if a little threadbare Christopher Lee vehicle

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She (1934/1965)

Immortal jungle queen demands an equally long-living companion by immolation in a mystical blue flame

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Blood Feast (1963)

Food catering meets Egyptian rites as Fuad Ramses dispatches local girls to please the God Ishtar.

Eye of the Devil (1966)

The title offers more than a nod in the direction this hugely atmospheric though undervalued film takes. Almost certainly the only film starring David Niven, Sharon Tate, Donald Pleasence and John Le Mesurier.

Brides of Blood (1968)

Mutations on a remote island require virginal sacrifices to a local monster.

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The Devil Rides Out (1968)

Dennis Wheatley, the go-to for Devil-satiating texts, is brought to film in one of Hammer’s greatest offerings. Those sacrificing are seen to be ‘normal’, respected members of society, as opposed to the popular view of dancing, mostly naked hippies.

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The Blood on Satan’s Claw (1970)

Standard English village fare – the resurrection of the cloven one through skin growing and sacrificial rituals.

The Shiver of the Vampires aka Le Frisson des Vampires (1971)

Jean Rollin’s dreamy look at sacrifice in a chateau.

 

Tombs of the Blind Dead (1971) and sequels…

Though the slowly shuffling zombies are the star of the show, their origins as blood-drinking, Satan worshipping Templar knights at the beginning of this three-film saga are shown in flashback

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Enter the Devil (1972)

A grimy entry into the 70’s obsession with Satanic cults

Blood Orgy of the She-Devils (1972)

Ted V. Mikel’s uber-schlocky blood-thirsty witches on the hunt for male blood to offer to the Devil.

The Mummy’s Revenge aka La Venganza de la Momia (1973)

Dazzling, if not entirely gripping entry into Paul Naschy’s attempt to play every famous horror monster

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The Wicker Man (1973)

Poor Sergeant Howie gets closer to some frightened goats than he’d like, all for the sake of some apples.

Craze (1974)

Psychotic London-based antique dealer Neal Mottram (Palance) sacrifices women to the statue of African god Chuku in the belief that it will help his ailing finances…

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Race With the Devil (1975)

This well-oiled set-up of the inadvertent observation of a human sacrifice leading to a cult in pursuit has rarely been matched.

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The Devil’s Men aka Land of the Minotaur (1976)

Tourists visiting a Greek archeological site are being abducted by a strange cult, intent on providing their God – the Minotaur – with a sacrifice!

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Mardi Gras Massacre (1978)

Part of the notorious ‘video nasty‘ list, this slaughter for Aztec Gods romp is still unavailable in the UK.

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Demonoid (1981)

300 years ago, a Mexican Satanic cult cuts of the hands of their victims to please the Devil. Years later a hand causes mischief.

Midnight aka The Backwoods Massacre (1982)

Backwoods ‘cops’ and their demented siblings sacrifice young women in a psychotic attempt to resurrect their mother’s decomposed corpse…

Q: The Winged Serpent (1982)

Larry Cohen’s hugely entertaining modern day tale of sacrifice in New York, seeing the follower of an Aztec cult sacrificing locals in a bid to appease a huge flying Quetzalcoatl living atop a skyscraper (ironically, a God whom the Aztecs didn’t actually deem as requiring human sacrifice, actually being gifted slain hummingbirds and butterflies)

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Halloween III: Season of the Witch (1982)

An ingenious plot sees now iconic masks lulling innocent wearers to their fate at the expense of Old Gods.

Children of the Corn (1984-2011)

Preposterously long-running franchise in which a town’s over-18’s are sacrificed to a cornfield-based deity

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Blood Cult (1985)

A local sheriff investigates a spate of sorority slayings that are found to be the work of a satanic cult. One of the earliest shot-on-video releases, it’s a self -sacrifice to sit through!

A Return to Salem’s Lot (1987)

Larry Cohen’s almost universally derided follow-up to the much (and, I would suggest, unjustly) revered Tobe Hopper mini-series see the town farming blood from a supply of non-vampiric folk.

Evil Altar (1988)

In the small town of Red Rock, a devil-worshipping cult led by Reed Weller (William Smith), is in league with the local sheriff (Robert Z’Dar). Weller’s servant is The Collector (Pepper Martin) who kidnaps boys and girls for sacrifice…

The Lair of the White Worm (1988)

Ken Russell’s slightly rude, slightly berserk and slightly entertaining snake god romp

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The Guardian (1990)

William Friedkin’s unfairly overlooked, if rather daft tree-worshipping drama with ancient druids needing blood to satiate their idols

Borderland (2007)

With a Mexican backdrop, a refreshing change to the norm with drug runners and cartels mixing with the more traditional religious cults

The Shrine (2010)

A remote Polish village harbours a terrible secret (it’s human sacrifice)

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Rites of Spring (2011)

A man known only as the Stranger kidnaps and sacrifices young women as part of a pagan death ritual…

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The Cabin in the Woods (2012)

One of the most divisive horror films of recent years offers up a novel depiction of sacrifice, which audiences either loved or hated

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House of the Witchdoctor (2013)

Surprisingly competent teens in peril horror.

House of Salem (2016)

When kidnapping goes wrong…

Sacrifice (2016)

An ancient pagan religion requires the sacrifice of young women in the Shetlands

Daz Lawrence, Horrorpedia.com

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Beaster Day: Here Comes Peter Cottonhell (2014)

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Beaster Day: Here Comes Peter Cottonhell is a 2014 American comedy horror film written and directed by Zack and Spencer Snygg.

The British Second Sight Films DVD release title is The Beaster Bunny!

Buy: Amazon.co.uk

Main cast:

Peter Sullivan, Marisol Custodio, John Fedele, Jon Arthur, Bill Joachim, Darian Caine, AJ Khan, Kerri Taylor, Jackie Stevens, Autumn Bodell, and Violetta Storms.

Part of the financing came from a successful Kickstarter funding campaign.

Plot:

Deep in the woods stalks a giant killer mutant Easter Bunny. Unsatisfied with nibbling on grass, he craves, chews lives on human flesh. Rock climbers, hitchhikers, and nudists alike all end up in his jaws as he devours everyone in his way. One by one, the townsfolk are consumed by the evil rabbit, but he still remains a mystery to most of the inhabitants.

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Knowing that a flesh eating giant rabbit might affect tourism a bit and the upcoming Easter Day corporate sponsored parade, the corrupt mayor quietly covers up the deaths hoping to rake in as much cash as he can for the Easter Day celebrations.

The mayor tells the townsfolk that there is nothing to fear from the horrific decapitations and intestine removals. The deaths are all accidental demises due to hazardous farm tool equipment…

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Reviews:

” …this is a fine choice if you like silly movies with inept special effects, pointless nudity, well crafted wackiness, and a marginal association with a major holiday. And if you don’t like any of those things, what the hell are you doing on this site? Watch it. It’s surprisingly watchable.” Drunk in a Graveyard

“Outside of the bunny, the rest of the special effects are sadly CGI, which works as it is really bad CGI but it would have worked better with the kind of effects seen in early Herschell Gordon Lewis movies as well. The cast are clearly having fun with the film which shows in their performances throughout so its hard to point out a stand out performer. Fans of B-movie films will get a real kick out of this film…” Peter Hopkins, Horrorscreams Videovault

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Beaster Day: Here Comes Peter Cottonhell is a blast. It’s Troma-esque fun in all the right ways and certainly delivers the goods. It has a great sense of humor, incisive satire, lots of nudity, inventive kills and copious (albeit CGI) gore.” Really Awful Movies (authors of Death By Umbrella: The 100 Weirdest Horror Movie Weapons)

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“Needless to say, the acting is bad. As in some of the worst I have ever witnessed in a movie bad. The characters are irrationally stupid and completely un-relatable as they walk around like chickens with their heads cut off. Obviously all the big breasted women lose their tops and run around before getting killed with some of the worst effects I have ever seen.” Andy Comer, The Movie Waffler

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” …this film is a riotous good time from start to finish, a blatant nod and fantastic addition to the genre of over-the-top camp and grue/splatter movies. The effects are plentiful, grisly and heavily CGI generated a fact that, though usually annoying and overdone, only added to my growing adoration of this feature.” Thy Demons Be Scribblin’

“This absurd and very witty gore fest is everything you want in comedic horror, and then some Jam-packed with terrible special effects, insanely absurd characters, slap-stick(ish) laugh out loud hilarity, and a rabbit puppet from your nightmares that only wants to eat your face off, this movie is absolutely something that needs to be seen to be believed.” Jolie Bergman, Horror Habit

Beaster Day 6

“The film has little in the way of plot or acting. Much of the film simply consists of total idiots or women who inexplicably take their clothes off that are eaten by a 50 foot rat-like creature. While this sounds pretty dumb, it’s much worse. The ‘killer bunny’ is obviously a marionette and the filmmakers really don’t try very hard to make it look realistic.” Martin Hafer, Influx magazine

“Everything about Beaster Day is bad, but it’s supposed to be and that’s the fun of it. This film most definitely falls into the category of being so intentionally bad that it’s awesome. This film reminds me of something you would see on Syfy except that it’s actually good and could never play on that channel due to all the excessive gore and nudity.” Michael Juvinall, Horror Society

Beaster Day 7

” …the dialogue was actually witty and a lot of fun, it just seemed to flow well between the entire cast who put on an excellent job of being over cheesy as it worked, they just seemed to mesh well together. Sadly, the film is filled with CGI [..] And did I mention boobs? Yes, this rabbit has taste for hot chicks with copious amounts of cleavage, there are boobs galore…” Chris Savage, Horror-Movies.ca

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Filming locations:

Allentown, Pennsylvania, USA

Technical credits:

87 mins | colour | 16×9

IMDb

Related: Monty Python: Horrific Humour – article by David Flint | Night of the Lepus

 

 


Altered Species aka Rodentz (2001)

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‘They’re everywhere!’

Altered Species – aka Rodentz – is a 2001 American horror film written and directed by Miles Feldman [Serge Rodnunsky] (Black Cat, The Dead of Night, Blade of the Vampire).

The film stars Allen Lee Haff (Deep Freeze), Leah Rowan, Guy Veig, Robert Broughton, Richard Peterson, Derek Hofman, Alexandra Townsend and David Bradley.

Plot:

On a moonlit night, in a remote research laboratory, a major medical breakthrough is about to have deadly results. A chemical compound that was created to “hunt and destroy” deadly cancer cells has leaked from the hazardous waste disposal system into the building’s basement.

Now, the rodents involved in the laboratory experiment upstairs are not the only rats in the facility that will become the altered species. Professor Schultz, a leading bio-researcher, has just determined that the addition of a new enzyme now enables his “hunt and destroy” formulation to regenerate for the length of time necessary to neutralize deadly cancer tumors.

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When three varying degrees of the new mixture are administered to three different rats and the rest poured down the faulty “Waste Hazard” sink, shocking side-effects result in a night of terror…

Reviews:

“There’s nothing wrong with the concept of killer rats, but the movie falls flat in just about every area of execution. The acting sucks, the directing sucks, the guy in the big rat suit sucks, the effects suck, the music sucks, even the DVD Case art suck.”Hide the cheese” says the front. “Classic creature feature” says the back.” Shameface.com

“If only the filmmakers had followed their own tagline, “Hide the cheese…” The cheese is in full view, and it stinks to boot”. Rob Lineberger, DVD Verdict

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“Yawnsville story about a gaggle of cookie-cutter college kiddos who decide to get their party started at an abandoned building where a disgraced professor is trying to cure cancer by juicing lab rats full of glowing green goo a la Re-Animator.” Noel Gross, DVD Talk

“The rats are presented in almost every form available to special effects – there are real rats, CGI rats, plastic rats and even monster suits. None of these effects look in any way, shape or form even the remote bit scary. There are plenty of pathetically-staged rat attacks in which victims just lay on the ground and allow themselves to be swarmed over by the rats…” Andrew Smith, Popcorn Pictures

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“It sounds like a set-up for a comedy making fun of bad horror films, but it takes itself rather seriously. For a sub-genre of killer-rat movies such as are usually ultra-stupid, this one is perhaps a half-peg above, competently acted & entertaining, which is not the same as being on any level consequential. It’s beyond trivial.” Wild Realm Reviews

Have you seen this movie? Help the worldwide horror community by adding your own thoughts in the ‘Comments’ below? 

Filming locations:

Los Angeles, California, USA

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Wikipedia | IMDb

Related: Attack of the Rats! – article by David Flint


Easter Bunny Kill! Kill! (2006)

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‘Don’t expect Easter eggs…’

Easter Bunny, Kill! Kill! is a 2006 horror thriller film written and directed by Chad Ferrin (Tales from the Crapper; The Ghouls; Unspeakable). It stars Timothy Muskatell, Ricardo Gray and Charlotte Marie.

Review:

This low budget shocker is an unrestrained trip into the squalid that is rather better than the somewhat catchpenny title might suggest.

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Remington (Timothy Muskatel) arrives at his girlfriend’s house fresh from a violent convenience store robbery, and meets her mentally handicapped teenage son Nicholas (Ricardo Gray).

While he charms single mother Mindy (Charlotte Marie), Nicholas sees his true nature, and when Mindy is called to work a nightshift, Rem is left in charge – and immediately calls his child-molesting drug dealer to trade Nicholas for cocaine, before heading out to pick up a couple of hookers. However, things don’t go according to plan, as a mysterious rabbit-masked killer is stalking the house and offing the bad guys.

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This has all the making of a rather nasty, grubby little film, but thankfully director Chad Ferrin (Unspeakable, The Ghouls, Tales from the Crapper, and who’s Someone’s Knocking at the Door still has me undecided years after seeing it) avoids the kind of cynical bad taste you might find in, say, a film from Ferrin’s former employers Troma – imagine what they’d do with the story of a kid like Nicholas (actually, you don’t have to – just watch Toxic Avenger).

While more sensitive viewers might cringe while Rem verbally abuses the poor kid and continually refers to him as ‘the retard’, this is more an indictment of the character rather than the filmmaker pandering to the worst audience elements, and at no point is he shown to be anything less than a scumbag. It’s to Muskatel’s credit, therefore, that he brings a certain charisma to his unsavoury character – you’ll hate him, but he’s always interesting to watch.

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The first thirty minutes or so of the film are a slow build up, but once the action starts, it comes thick and fast. The gore is nasty and painful and the sleaze factor is cranked right.

Admittedly, sometimes things feel a bit too much – this will definitely offend a lot of people. Yet, the excesses are countered by interesting touches, an old-school home invasion feel and a neat twist where the killer is unmasked. The ending is a little hokey and pointless, but you can’t have everything.

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Coming complete with a surprisingly raw and honest making-off, this is an impressive effort from one of America’s more out-there indie directors. If the idea of a film about a kid with cerebral palsy being abused by a psychopath and fed to a child molester doesn’t put you off – and let’s be honest, it’ll be too much for many people, no matter how things work out – Easter Bunny, Kill! Kill! Has a lot to offer.

David Flint, Horrorpedia

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Buy DVD: Amazon.co.uk

Other reviews:

“As a horror film, Easter Bunny, Kill! Kill! is more gross than scary; a plethora of spilled brains and power tools stands in for the bargain-basement jump scares Hollywood routinely serves up like so much gruel. Cheap and nasty, EBKK is a film made for late-night movie marathons, preferably served up with cans of TAB Cola and Ding Dongs.” Bloody Disgusting

” …this was a very solid, interesting slasher film that dares to be different from the norm. In a genre that is so full of imitators and cliches, it’s nice to see something that isn’t a ripoff and is able to stand on it’s own. Highly recommended.” Mr. Fiendish, Grimly Fiendish

“One of my few gripes is that Ricardo Grey as Nicholas takes it “full retard” and the performance is a bit too much. Muskatell steals the show as the sleazy boyfriend Remington, you just can’t take your eyes off the guy, a ton o’ fun. […] The gore in the film is great, very bloody and gruesome – a lil’ bit of everything for the gore inclined.” McBastard’s Mausoleum

“All in all, solid kills with solid effects. Sure its your typical slasher carnage kills but somehow in the context of killing street walkers and Chris Hansen potential interviewees, they add more to the “F*ck Yeah!” attitude of seeing these scumbags get offed. Sure the twist ending supplies a flashback that seems misplaced but the ending is a complete 180 WTF but I dug it.” Jeff Atencio, The Jaded Viewer

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IMDb


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